Brand of Immortality

IMG_6215.JPG

I can say we had no idea what we were doing here, but that wouldn’t be fair on Bill, who is always trying, who understands things in a way I suppose I could never. Bill with the sticky note diagrams pinned to our bed, torn down in the morning. He says my lack of understanding grants me a brand of immortality.

“I could never think about the future, babe,” he assures me, “because I know too much already.” The yellow notes curl in his fist.

Everything we do we do in present-tense; he makes sure of it. I wish he would elaborate on what he means by ‘brand’. 

Every day he refuses to stare at horizons or watch the white scream of webpages buffering. He is never without some tool in his hand, whether it be a toothbrush, hacksaw or knife; he does not build, he will only fix. Never without a drink either, whether it be a mug of instant or a cup sloshing over with supermarket wine. We only need to take the car out five miles to the nearest store. We make our own convenience.

My favourite times of day at the cottage are dawn, noon and dusk. I like edges and centres. The caramel hour bitten into crisp wafer, wakefulness. Times right after the light changes and the clouds sweep into general elemental drama. I shiver in the damp air and go outside to catch a breeze, wrapped in the scratchiest blanket. I watch Bill take the boat out and kick shingle back into the sea, wishing I was smoking. Something I gave up when we moved south, along with everything else. The Topshop habit, the fibre-optic broadband, the Netflix subscription. In tattered clothes I walk the shore, losing my sequins. A lot of what remains from that time is stuffed in boxes beneath our bed. There isn’t space to pull it out, but on special occasions I’ll riffle through for a pair of shoes or a dress. Once, I salvaged my patent blue heels and a pale gold backless number and paraded down the creaking stairs, as though I were a prom queen, morning after, my hair unbrushed for days. Bill saw me at the door in the light and laughed.

“You look nice babe,” he offered. He was fixing something on the hinge, or the lock, wielding his drill. He gave me a look that only a father gives, a kind of bemusement and tolerance towards his daughter’s minor rebellions. As if I’d bothered smudging lipstick on as well, as if this were some extravagant transgression. I felt shame. 

I sat at the makeshift desk we’d set up by the window, flipped open the laptop and looked for work. I did things freelance, intermittently. When I got a good job, I’d sometimes beat Bill in the takings, but such jobs were few and far between. Plus, they’d leave me ragged for nights, up late with the slowest WiFi, endlessly emailing and making notes. Times like these I missed smoking most. Smoking would fill a delay. I could never get my sentences right, and facts seemed increasingly blurry, always positioned ahead of me. It was like the sea licked the edge of my prose and wouldn’t let things settle. I hated every draft I ever completed. I needed that nicotine clarity, the stark voice of an editor at my back, the buzz and warmth of an office.

But then again I have space now. I let myself think.

We moved south to get away from something, sure. I’m not sure what we were looking for, was it solace in the water? Bill says it’s contaminated, the shoreline. He’s seen folk in high-vis doing tests, collecting samples. I’ve seen them too but never tell him. There used to be some kind of plant nearby, perhaps a rig; you can see its skeletal remains jutting out to sea on clear days, if you walk far enough west. The ghosts of a former infrastructure. I took loads of photos when I first saw it, I wanted to write a blog for this environmental organisation. I wanted to get paid for ranting about the surprising petro-landscapes of the south. I loved the way the sea stars and lush, cola-coloured kelp just clung to the rusted bars. Politically, things went sour that month and it wasn’t a good time for complaining about oil; I ended up writing on the specific variety of pink thrift that springs up hardily around our cottage. It was some cutesy piece for a gardening website where everything was written for ‘Mums’ specifically. They wanted you to send them an ‘everyday headshot’. You had to mention ‘your kids’ and make offhand remarks about a ‘work-life balance’.

I took my coil out months ago. I wanted to leave things to chance. Something he doesn’t know.

Bill and I have been painting the living room, a stark shade of yellow. He was so sceptical, humming and hawing in the B&Q we’d driven two hours to get to. I had printed off all these articles about how yellow increased happiness, how it set off your serotonin receptors, how it had served in this or that film set, how it could soften your lighting, your heart. The first thing Bill did when we left B&Q with the heavy pots of paint was spit, groggily, onto the concrete. He’d had a particularly bad cold but wouldn’t admit it. A woman was passing into the store with her daughter in arm, and looked at both of us in disdain. Not that Bill noticed. He was distracted by the task at hand. His spit swirled with luminous green, on the surface of the car park. It had landed perfectly, ridiculously, on a blue bottle cap. It looked like the fucking Earth.

Sometimes I wish I could really look into what’s happening, what’s to come. I’d be a much better freelancer, I’d predict and inform and connect. The old woman in the cafe says there used to be whooper swans, smews and teal. She has this whole list of beautiful birds she reels from. I see her once a week, sipping her Earl Grey tea on Friday afternoons — the only day I allow myself the luxury of hiding out here instead of the damp cottage, reading. I read whatever’s on the shelf of the cafe, trashy romances and natural history; I never finish the book I pick up, never ask to take it away with me. Borrowing seems too committal. The old woman says the land is dying; sometimes she is more specific. She remarks on my tardiness, remembers the days when girls dressed smart. I find it remarkable she still refers to me as ‘girl’, hasn’t noticed the streaks of silver in my hair, increasing day by day. Of course she is immaculate, a figure lifted straight from a 1950s knitwear catalogue. 

My blood still comes, out of the blue in the night like a miracle. I lay awake listening to  gushing rain.

The living room is finished, smelling fresh. I have drafted my piece about losing the birds, quoting Ms Earl Grey for good measure. Bill says I’ll struggle to find anywhere to send it. Nobody wants to hear about extinction, he says. Especially from someone so obviously immortal. He winks and I try to comprehend. Everyone is willing me into the present, but I can see the longview now and it is not bright, it is not yellow. The yellow won’t hide the cracks from the damp; the alkaline, unpleasant smell leaking out from the soil beneath us. The men in high-vis taking samples wear yellow. When I stand on the edge of the shore with hail in my eyes, their yellow mixes up with the yellow of boats and lights of distant harbours. When I look out to sea I don’t know what I’m seeing. The tide gets closer to the cottage each day. Soon there’ll be water at the door. 

Bill might find a solution, build a wall. I am not so sure he can solve this. He asks why my eyes are stung red and raw each night and I blame the weather. He runs his fingers along my spine and tastes the future inside me, bruises me like a fruit he can’t quite eat. In the morning I wake up and stare at the yellow, remembering.

 

Dead Chao

maxresdefault-4
Sonic Adventure 2 Battle (Sega, 2001/2002)

(Short story, written sometime in February).

The first time we met, he was already talking about hallucinogens. This isn’t to overemphasise their significance within our relationship, but to give it context, enlightenment. I got a friend request two days later and I knew that maybe he wanted to follow up on our 4am conversation, fueled by chewing tobacco and copious refills of Bombay Sapphire. He had a laugh you could hear in the next room, but he wasn’t by any means American. I liked that about him though, the sitcom quality. He was sort of shivering at the edges, always anticipating the applause. I seemed to find a way to dwell in the beat with indecision, and I suppose he liked that about me. We talked about the deep sagacity of blue glass and later exchanged blue messages. We sent each other trippy, nicotine music over Messenger and then slipped out of each other’s lives awhile.

It was August, the brink of autumn, the next time he messaged.

Now, it might be the prerogative of my story to give details here. Oh I don’t know, things like: what happened in the intervening months, what happened afterwards, what were his intentions–what indeed, were yours or mine? I was listening to this cute track by Teebs called ‘Double Fifths’ and watching the dust scroll through the empty space of my room. I’d cleared everything out to obtain a sense of minimalist realism. I hadn’t cleaned. I’d left stacks and stacks of junk in the street, for the council to pick up–you just had to phone them to arrange a time. At 11.45 on a Friday, I watched from the window as a truck scooped away the residue of my life. What was left: a laptop with crackling speakers, a few clothing items, two types of eyeliner, a book of Tom Raworth poems with pages missing. This was to remind myself that there are other types of logic. Recently, all my words come out riddled with typos, I don’t know why.

I wasn’t to know that you can fall through cleaves where the sky is not quite finished. I can now recall a glitch in Sonic Adventure 2 Battle, a single or multiplayer GameCube game which occupied much of my childhood. There was a special limbo location called the ‘Normal Garden’ where you could raise teardrop-like critters called ‘Chao’. The garden, essentially, was a floating island. If you selected a precise point where sky met cliff edge on the raised mountain I don’t believe you could climb, and you double-dashed real hard into the blue–you could literally fly out the garden, beyond screen, beyond the brown and green. Your sprite would double as it swung out in each overlay of sky and sea (or was it all just sky?), invoking a genuine sense of terrestrial and existential vertigo. A glitch, by its very name, enacts a rupture in the game’s organising logic. Sometimes you can see the little Chao prowling around, half-submerged in the ground. Every arrangement of object and space gets just slightly, temporarily distorted. I didn’t do the glitch often enough to find out if prolonged abuse would damage the code of my game, triggering all sorts of other glitches. Sometimes though, that serenity of repetitive steel-band lullaby leaks into my dreams. I can hear the muted moans of the Chao themselves, the blend of animal cub and human baby that was so unsettling, electronically warped by my television’s poor sound quality. I am always pacing around, jumping up and down, looking for fruit. I fear all the Chao will die before I wake up.

This happens over and over. There is a dark sweet part of me that longs for the Chao to die. The abuse could go on forever. The seasons in the garden do not alter; you cannot align your emotions to fading pastures, solstice awakenings or imminent harvests. Chao abuse is different from crashing cars into innocents, shooting shop owners or beating up on a passing prostitute–the kind of reprobate behaviour you can indulge in via GTA or the like. This felt more perverse. I was but a child and already fantasising over violence, albeit the delicate torture of hurling a Chao at the wall, tackling it into the water. I told myself it was all experiment. The more you hit the Chao, the shorter its life. A simple mortal formula. On the brink of death, the critter goes into a cocoon: grey is the colour of failed reincarnation, pink indicates it will leave an egg behind. A new egg in lieu of a grave. There are numerous ways you can cheat this death, namely by exiting the garden without saving and returning to pick up your Chao before the internal clock does its doing. You can place it in a water location; Chao cannot die when swimming. You cannot, I suppose, drown a Chao; although I seem to remember Sonic himself was supposed to be a terrible swimmer. Some noughties cartoon where he falls through the sky and helplessly into water. There’s an Eley Williams story that ends with all these hedgehogs floating in a twilit pool, ‘right in the very centre, sitting like asterisks, like parodies of stars’. That really stung me; the sense of nobody really knowing what to do.

Once upon a time, my father rescued a hedgehog he’d found in the garden, curled in my collie dog’s empty water bowl. It was covered in frost and shivering profusely, so we knew it probably wouldn’t make it through the night. I wanted to stroke it, express my primal sympathies, but my father reminded me of the needles. Everything sweet will prick eventually, he might’ve said.

Was there something sick inside of me, that made me want to harm the Chao? I wanted to break them, shorten their lives; albeit often only to go back and comfort them. I wanted to be their protector, but to do that I had to instate a threat. Through this, I learned the psychology of the abuser. It was the taste of bile, a question of power: I literally held the balance and duration of life in my tiny, pixelated paws. For every smash against the wall, there could be a caring caress. Binge and purge. I could leap to the heights of a palm and drop back down with fruit, an apple to hand to my tiny darlings.  

As I said, the music got into my head. I hadn’t played the bloody game in over ten years but the tropical, jewellery box lullaby was lodged inside of me. There were palms and psalms in my dreams for weeks. At first, we only cooked a measly, careful, handful of shrooms; they were not as abundant as my new friend said. Well, we were going to cook them but actually I think we had them raw, in a sort of brew. If memory serves. He rubbed off the dirt while I tried to find blankets, because it was cold in his flat–too cold for August. His flatmate was milling around, doing the dishes, watching. I think he knew exactly what we were up to.

There have been times since. I thought I was made out of sugar, my whole flesh a trembling of visible particles, and I knew this meant I would die soon. We were at a party on the other side of town where you have to cross a river in a car or train and I was kissing all my friends, all these people I didn’t know, simply because I knew I was going to die. There was no control anymore. I was going to be this heap of sugar, and I thought I would die there alone and my body would fade to grey like a Chao cocoon. I think this was because an old guy at my work once said, ‘Sugar is cancer’s best friend’. He was loading sachets of aspartame sweetener into his tea at the time, while I was devouring a bar of Cadbury because I’d been on my feet for hours and was starving. We enjoyed our mutual poisons, dragging it out. I could not reply with my mouthful of caramel. Now when I look at cakes and sweets in the supermarket, I only think of my own body, its bubbling of blood and skin, a confectionary of molecules. I have lost two stone in the months since; my family at Christmas barely recognised my toothy, skeletal smile. Something about their candour, their concern, really thrilled me. I could tell they were hurt by my behaviour, which they were judging before understanding. They were fools from another dimension. How could they possibly grasp the cannibalistic implications of consuming sugar? I started to dash and leap around them, looking for fruit I could gift to heal the effects of my cruelty. It was exhausting.

My mother laughs out loud to the radio still, and for that I love her–even though she leaves pieces of fruit to brown in her handbag. There is such a thing as too much ripening. How ever could she know the fatal expense of every tangerine or banana? There is less to be said about apples, potent of juice and shining.

On New Year’s Eve, I read ‘Errory’ and finally fully understood. He was messaging me the whole while, his reflections and concerns. Very little about the year to come; everything honed in on the past. Still, I believe he is to become an engineer of sorts. His job is to fit things together, even memory. Mine: to take all apart, quite deliciously, like an intricate honeycomb melting. You have to enact a hovering, to see between beats and worlds and feelings. This is especially visible in Raworth’s line, ‘silhouettes of participants / dangle in their own data’. You see there are stages to everything, and damned if I was to remain purely neutral, Normal. One time, I saw my future as a singular, golden halo, stretching and stretching outwards like one of Saturn’s rings: it became so huge I couldn’t see the edges. It was beautiful. But then all these other halos started to spill from the invisible centre, just gurgling up hundreds of golden rings like from the spout of a fountain and they were spilling outwards and filling all that holy, haloed space. There were too many rings to count. Altogether a gorge of purity. They started to melt into a pool of liquid gold, and suddenly I felt ashamed. This was the time, I think, when I woke up a day later and found him licking my eyes when I thought he was gone. He murmured something about wanting to eat my soul, in a good way. His tongue stung a little and I slipped it into my mouth instead, mulling over our secret. I thought this boy perhaps was the devil. And could I build something with him; what good would I do?

At home, afterwards, I took a long bath and cried and cried. My tears were hot and perfectly formed. I could not stop crying. The salt, I hoped, would neutralise the sugar. Chao cannot die in water.

Undercurrents

IMG_2953.jpg

Short story I wrote this morning in dedication to January, something about blues and time, memory, the struggle to piece yourself together…

*

It is a nightmare to wallow in all this time. She professes inwardly, however, a sense of relief at the expense it affords, all the things she might do or watch or read. I might pick up a book at random, take it to a café and just blitz it, you know? She uses the lighthearted, daytime tv voice in her head—semi-ironically. When she bumps into someone she knows, her eyes swim with gratitude. This is something she must stop.

It is January and no-one is doing anything really, just working. She is working too, except she gets minimal shifts. So really she is treading water.

It would be better, perhaps, to change the scenery. The man at work that paints the stage sets for the plays, he recently had a baby. That baby will grow up, she thinks, surrounded by boards of painted landscapes: haunted houses, verdant meadows, pastoral castles, seashores and fairytale forests. There will always be another reality, overlaid with this. She recalls being very small and trying to wrap herself into a book, almost physically. She would read in the shadowing confines of the wardrobe doors, read dramatic fantasy stories with grownup imagery and worlds the size of universes. In each book she nurtured a personal metamorphosis; maybe the worlds mattered less than the characters. There was this longing she didn’t understand, like nausea. The boys in these books always had eyes described as gemstones, like He looked at her with his hard and sapphire eyes. As a result, she finds herself mostly drawn to men for the colour of their irises. She especially likes the rarity of green, but two-tone eyes are nice as well. She knows a couple of people with heterochromia, and this is a word she relishes, its gorgeous vowels and subtle moans. The O sound.

It is stupid to describe people with eyes like gemstones. It is so obvious. More often, perhaps, they are like television sets, endlessly flickering, reflecting. Melanin, melanin. She turns it over, listening for it like the jingle of her many secrets.

There is just this expanse of time. She walks through the park again, where everything is bare and swept back and any remnant of leaf is like weetabix mushed in dark chocolate, fudge. There is nothing to kick away, nothing to admire. It is all such luxurious waste. This is the bench they sat in, kissing under her black umbrella, the day before things fell apart. That was two years ago now, so she hardly remembers the thaw in her chest when it happened, the way it spilled out like rain. This is the bench where she sat with her pal, six years ago now, and her pal was eating a panini from Gregg’s and it wasn’t vegetarian because she wasn’t, then, and they were watching the belligerent squirrels and it was all so wholesome. Then.

Climbing the hill raises heart rate. When she reaches the top there is such a release.

She wishes she was the type of girl to have a favourite café. Like, Oh this is where I go to relax or study. She sees these girls everywhere, shiny-haired and always smiling with MacBooks and frappuccinos in university brochures. They are so glossy, these girls, they are like anemones. They stick. Boys love them, clubs love them, gym memberships love them. They will glow and smother at will, with their gelatinous, rosy lips. As for her, she is more like a stickleback: swept in and out by mysterious tides, inhaling small quantities of plankton and other fragments of life. When this thought occurs to her, she googles the species: spinachia spinachia; sea stickleback. In Latin, it sounds like some Italian dish, but ah, the brutality of Wikipedia: ‘It is of no interest as a commercial fish.’

The shape of her career dissolves as in ink; she laughs at it, frequently, in bars with friends. Faces the details later, in sleep, where they rise to the surface, inexorably.

She picks up her pace, trying to escape the park where the children are being released from school and are swirling in gregarious shoals around her, screaming at the swings. I am not a commercial fish, she recites, over and over, twisting a smile. Sometimes it is good to get mixed up in these currents, wishing she was small enough to join in, or at least perfect the evolutionary acts of disguise and disappearance. Children communing their wisdom, every howl a perfect hour. For an hour is so much to children. An hour is so much to her; but not right now.

The alarm clock makes her scales ache daily. There is no reason to keep it on, but then again no reason to turn it off. The singular guarantee of diurnal rhythm. Her body is always late, so each time the blood is a dark surprise. She sees it spreading through the week, flowering outwards, like an idle fantasy of slitting one’s wrists in the bath. It is in my nature. Once, high at a party, she studied the arabesques of wallpaper, thought of the blood and tried to describe it when no-one was listening.

Daily she scratches at the elastic canvas of her skin, wishing sometimes she could shrug the whole thing off. She pictures the underneath as this diaphanous mass of sadness. You could only catch it in a blink, like a plastic bag snagged in a tree. A soul without skin gets caught on things.

The days are like videotapes. She takes the same one off the shelf and rewinds it daily. Out of the same, the red blue green, she will eventually find the perfect day, the perfect tape. The girl unwound inside of it. For now, all the good things are just pieces and snatches and moments, like broken-up Snapchat stories she can’t get back. Every replay betrays the truth of the memory. The boy that used to send pictures from abroad, shots of skies and doorways, what did they mean?

Late afternoon, and still nothing. She knew people that walked dogs in their spare time, cash in hand. People that did internet surveys for easy PayPal transfers. People that chanced a few on low-level gambling, even though they weren’t remotely into sports. She recalls a singular night at the casino, five in the morning, gingerly sipping pints of Tennents while he put coin after coin on the slots. It was Christmas and the tips were good; they came in fat bags of new pounds with the edges you could bump twelve times with your thumb in rotation. Metallic tastes, a key of Mandy. Pop songs and the sound of the rush itself, the beginning which kept on beginning. She supposes that’s what love is, for a while.

Nobody she knows is in the park, it is disappointing. Finnieston is where the sun goes down, so the streets are dusky and violet, save for the neon allure of sushi bars, chip shops. Everyone crowded inside so the glass grew steamy. She walks on the long road, chasing the vague direction of town, evading the afternoon. She is walking, pointedly, to acquire a sense of hunger. There are days when she is always hungry, days when the numbness swallows her appetite. Sometimes she can’t decide. She remembers a time when all people did was tell her to eat. That was a while ago—she deserved it then.

Now she sits at the window, night after night, cracking slabs of discount chocolate. This is something she must stop.

Feels good to say a cold one. He calls her at three in the morning but language is too raw at this point, so she keeps her phone on silent. The light in the window opposite is flashing on and off, like a signal. The world is always on the brink of breakdown, or disco.

It is a nightmare to just wallow, wallow, wallow. To turn the connections, to retrace each tread. Satellites above tracking her every location. Then a text message, the gaze of a stranger, vibrations. It is enough sometimes to just be acknowledged.

One day she will polish her gossamer scales, she will shimmer to the lights and dance in a prism of beautiful irises. Her great disappearance—captured on videotape, spinning away.

 

 

Vegetarian Weather

IMG_3958

Short story written over the past three days in a bout of illness, in-between working Christmas shifts that veered between the hectic and dead, drinking quantities of whisky and waking up to sunlight and ice-beams.

The waves here are not like other waves, on other shores. They seem to billow backwards, suck lines of bright froth back into themselves. This town is bordered by a self-consuming ocean, so there’s no other way to go. A bulimic rhythm of prolonged fulfilment; nourishment interrupted. You try to look out but the horizon devours what darkness might lie beyond as within. Everything is overcast. Even in summer, people lick pastel ice-creams to a backdrop of failed, VHS-flicker grey. The sky shivers and glitches with rain. I was on a train once and a drunk man had slept through the changeover and there were no more trains to the city till morning. He asked how to get back from the port, what time the last bus was, was there still time to get a cab from my town, and I said there was no time here. No time at all.

People have been stringing up lights for weeks, but now we are used to the change it’s as if they’ve been here forever. Blue and red, mostly, like sirens; like morse code blinking in darkness. When I was a kid, I used to lean against the harbour wall and watch the lights, spotting a pattern that made sense. I’d write out words with sticks in the sand, trying to parse the lights. Now I see the decorations, the decorative function, and it’s more or less fully tasteless. I have seen how the city looks at this time of year, the city where silver and gold are everywhere. Then there is the town, the red and blue; the spent fire and the melancholy.

Mother washes dishes until her skin blisters. I have bought her gloves for Christmas, year after year, but she refuses to use them. She enjoys some sort of searing, primitive contact with soap and water. They say she is the best kitchen porter the hotel has ever known, and even when there was a corporate takeover, they let her keep her job. She sings festive carols to piss off the chefs, who love her so much they say nothing. Every year, a bottle of ginger wine for a bonus. She hates ginger wine, but accepts graciously. I’ll admit, I inherited little from my mother.

I am guilty of staring at the sign on the church: CHRIST DIED FOR YOUR SINS. One time the minister caught me and he tried to hold my wrist and look up with me, like we were having A Moment of Glory. I remember his stories from school, trite morality tales about betrayal and friendship. Blood trumps all. My mother once had him for tea, and I mean this pretty much literally. She ate him up with her eyes while my father supped lentil soup in silence. She wanted him to say, I suppose, you are all good people. But the minister merely thanked her, politely, letting breadcrumbs sift through his fingers into the soup, like this was a perfectly normal thing to do. I don’t suppose it’s right to crave forgiveness or bliss from a minister. At least my sins are pure, like the sharp silver of restaurant cutlery.

When people pass each other on the street, they nod. Sometimes, a thrusting remark about the weather, a painful stab at some petulant vegetable. The chat doesn’t stick. But still in its smallness I polish it.

The grocery store is selling handmade Christmas wreaths, which smell of true pine. I don’t know what truck brought them in from the forest, came west with the logs and the spindling needles, the twigs of fir and gauze of twine. It’s maybe a job I’d want when I’m older. The driven coastline, the smell of the pine. For now, I gather up trash from the beach, all the stuff people forget about. I glue it together, leave sculptures in the community arts centre for the children to prise apart with sticky fingers. Father once mumbled something about college but never mentioned it again. Sometimes I can sell them, in tourist season. You lay down a blanket and drunk people will come talk to you, like you’re some sort of guru. I imagine my tacky statuettes in homes across the district, mournful little symbols of emotional debris. Luke used to walk along with me, picking up odd bits. We shared a vision, which is more than you can say about most brothers and sisters. I hope people smash them, my sculptures, in the middle of arguments; I hope they instate a sort of catharsis.

Sin. Waves. Sky. Signs. I used to work in a café serving Battenberg cake to gossiping pensioners, whose tongues would loll out like soft bits of dough, even when they were catatonic and staring at the lashing waves, crumbling onto their laps the pink and yellow. The town devours itself, sloshed and watered by endless tea. Scandal is rare and thin, mostly a case of mystery fire, a missing dog or crooked insurers. Once, two men moved in together as lovers but that was diffused by the presence of their pekinese, who used to come snuffling into the café so even the old folks were won over, nursing their social phobias for other occasions. All these dogs kept coming from nowhere.

I feel the presence of others as generally tepid, unwanted. I went to school a couple towns away, got that bus every morning or walked out before it had even reached my door. I’ve never needed eduction to remind me of a world beyond. I only had to look in the weathered face of my father as he returned each time from fishing, the crinkles in his eyes like a tiny clam had nestled in each pupil and was sucking the skin in for energy. Anemone. The way he plodded in the door with such reluctance, trailing sand and silt in his wake, interrupting my mother’s ordered domesticity with the thick, ineluctable lore of the sea.

“Heavy waves out west,” he’d say mysteriously, chewing a lump of bread as if in each crusted pore was the bloom of an oracle. Mother would shuffle a deck of cards, clink the dishes. Oh baby don’t make me cry. She attended bridge nights on Wednesdays at the Schooner, she kept herself busy. Our tiny bungalow was always polished to a sparkle, as if she was afraid the deceased grandparents could tell whether there was tarnish to the silverware. Father doesn’t talk much, doesn’t touch our lives. He helped assemble the tree with usual obligatory gruffness, then retired to his almanack and chewing tobacco. When Luke died, he didn’t say a word for months. He disappeared on trips that got longer and longer, as if trying to make his reckoning with the sea. If I drain you, will revenge be complete? Do fishermen respect the sea? Great shivering nets of metallic shoals looped in and deported up north, a great operation exchanged between strangers with a fetish for the slivery, salty heaps of lamé. He used to keep a logbook of all the good stuff he’d caught, would bring home glistering samples of mussels and carp for tea, but now he throws it all back, unless it’s for work. Does the minimum necessary, but still brushes with death. Don’t we all…

I sometimes think, god if I went away would I miss this place? I picture myself stepping off the train with the arrogant smile of the rest that leave for places east, for the city. Coming home in summer wearing neat tight suits and smart-person glasses. How small the town would seem, a dolls house of trivial troubles compared to the vast expanse of the city, where I’d make my fortune studying law or medicine or working in some department store where all the women wear Chanel and talk as if talk were merely unfettering. The delicate unravelling of a silken scarf, the spritz of expensive everything. In contrast to such gauzy dreams, the town, I fear, is inscribed with too much of me; I need to keep an eye on it. The sedimentary deposits of my human existence, time made language. All the rocks with my name scratched deep by shards of flint and granite. If I came back, this would all seem impossibly empty. The cave where I gave my first handjob, to a boy who smelt of liquor and mint. I still remember how slowly his breath synchronised with the rhythmic lisp of the sea, quickening with the gulls that squawked and circled ever closer, concealing each blood-warming grunt.

I stopped eating meat after Luke died. The smell of fish near enough killed me, so I slept in deliberately each day to avoid the hour when the men came onto the docks with their morning haul. I burned so much incense in my room that Mother was concerned I was having a religious awakening. I grew what they call lithe and thin; I honed my time to a solitary point. Luke used to run along the beach at dusk, but he’d always bang the sand out of his trainers before stepping in the house. He shared Mother’s sense of boundaries, territory. He used to talk about the nesting patterns of gulls. Recursion, he said, was the order of birds. They knew to come home, and when. There was something magnetic, a tiny program inside their skulls.

We still don’t have his body. It never washed up; the sea hasn’t returned it, the police packed in the case a year ago now. The other boys talk solemnly and seriously about moving away: getting out of it all, the mess and the memories. I’ve drank with them down the Schooner many a time, matching them pint for pint as we flick peanuts across the table and wish we were children again, reminiscing our games on the lips of the bay. When Adam kissed me in the freezing sea mist of six in the morning, clutching me like a piece of driftwood that had wound up on his porch, I felt as though I were pressing into the deepest history, its secret flesh. I felt that final capsize, that upsurge of tide. I was glimpsing what I had missed, the darkest moment of shock and extinction. He pinned back my hair, deftly, when I vomited onto his mother’s petunias. He said ‘good girl’ after we slept together, and I was a waif in his tangle of sheets, hardly the siren I supposed myself to be. He said ‘good girl’ but he was only two years older. It was like none of us knew what to do anymore. When I asked him what the last thing Luke said was, Adam couldn’t tell me. He said they were quiet, they were fishing—that was all. They didn’t talk much at sea, like that was unlucky. The focus was always upon the catch. I stopped visiting that house on the border of town, stopped going anywhere beyond my room. I was folding myself inward, like the waves that brushed the skin of the shore. I pictured twenty black pills like black bits of bladderwrack and swallowing my mother’s precious tonic. Every day felt like a new kind of bruising. I’m not there yet. 

I still remember my first lobster. How I had slipped apart the lock of the cage, the lobster pot, to see this gangrenous thing with terrible black eyes that twitched erratically from side to side. Mother used to tell me the chef at her work would go around clacking lobster pincers near all the waitresses’ bums, until one day a woman called Meggie, the old restaurant manager, thumped him in the face and he had to finish service with his nose bleeding into the sauce. “Be more like Meggie,” she’d say sometimes, scrubbing a wine stain out of Father’s trousers, like that was lust itself. You have to twist off the legs, the claws, break at the joints, scoop out the meat from each fat claw. Iron-rich. I watched the blood-red thing die a death in boiling water, could hear a sharp hiss that sounded like more than steam. What else you had to scoop out: the long dark intestinal tract, its tangled, bedraggled remains of a life. An Escheresque recursion, a spiralling fold into self. I wonder what lobster hunger feels like, the in-suck of clams and asterisk starfish. How it feels to enter that deep, freezer sleep, among the ice cubes and packets of plastic-wrapped, soldered meat? Father clapped me on the back when I held out the shell; when later, tactfully, I stuck my fork in, needling around for the richest flesh. My body knew appetite, knew what to look for. It tasted good and strong. Now I see those orange buoys and I wonder what starving thing is perishing underneath, ready for consumption. I reset my computer because the internet never works. We are out at sea here, lost in our mutual devouring. Nobody comes to fix the signal. Nobody questions my diet at all.

My breath still sours on the windowpanes of strangers. There is no time in this town, not even at Christmas where the hours bleed together like the masses of plastic that gather along the shore. I pass the minister, who quips about the weather. Overcast as the darkness that meets us all. He doesn’t understand the patterns, the names of the clouds.

Sometimes I still see Adam. He stripped me till I was thin as cirrus, in smoky entrails of evening light. Boxing Day and I looked out with the blankets scratching my shoulders, the horizon grey and wasted. I could see Father’s boat trailing in at the dock, the shape of his cap against the grey. My skin looked grey. Something a teacher explained once, glassels: those stones that look shiny and lovely under the water, but dry a dull, disappointing matte on land. I was back in the house on the border of town. I left a little ornament, a piece with old speakers, all copper wires twanged into ersatz smiles. It’s the creepiest thing I ever made, maybe. Luke would’ve hated it; would’ve snapped it apart, made food for the waves. Sometimes we go backwards, return to the place. I think of him most when splitting vegetables, drinking Mother’s ginger wine, scrolling through Facebook on delayed connections. It’s different, now that you’re not around. I grow fragile with anaemia, spend time trying to name your fate. There’s a toast to be made to the absent, a manner of feedback; but all of that pain was already in the weather. You just had to notice.



 

The Door

IMG_0158.JPG

She laughed at that, her maraschino heart would sweeten the moment with its tender syrup of lies.

“It’s just a door,” he said. The pair of them made a couple of magpies. She was green-hued, he was jewelled with blue.

They made their way through the suburbs, so easy the way they rolled along concrete with those slender legs. I have made a pinball of their trajectories. Soon they realised their mistake.

“We have to go back for the door,” she said. She was insisting. He admitted her this.

They carried the door along many streets. It was painted the colour of duck eggs, a pale blue paint that flaked in places. People stared, assuming they were a lovely young couple setting up their new home. Sometimes, she patted her pocket to make sure the stuff was still there. Later, they would huddle under the lilac in the rich person’s garden and count their dreams beneath panoplies of blackbirds. For now, there was the door.

“What shall we do with it?” he asked.

“It has a purpose.” She propped it up against the red brick wall of the old agora. It had beautiful windows, the kind of windows you imagine on doors in twee country houses, where nice mothers served sugar-bread to doorstep strangers.

“We could do anything with it.” They flirted with the idea of hacking it to bits, chopping for firewood. The forest was not far away; though really it was just a copse of trees, the undergrowth littered with cigarettes, sweet wrappers, needles. Not enough space to get lost in. You could hardly build a fire without alarming the neighbours.

When we are drawn out of nothing we are drawn into possibility. The couple knew the door was their portal, knew it as sure in their blood as they knew their daily hunger. Sometimes at night, she would let him scratch the sores on her skin, sending her off to sleep. She knew he spent those nights awake, scraping the bark off any hide he could, clotting the soil in his nails. They borrowed a suitcase, abandoned at a bus stop. An old lady’s worldly possessions treated them briefly to cardigans, palma violets, little nips of hip-flask whisky. They were warm for weeks, till the wool unravelled in winter’s first storm, till the liquor ran out one cold dark night.

Combustion or invitation. He gripped her arms and tried to shake her from every undulate leafy trembling. Her blood was beyond human; she had set up her fix long before sundown and this was wrong. He stayed with her through the worst of it, the 4am rattles and the toothache. If only the medicine worked, if only. Night-blooming flowers made cheap companions. An amazing array of skinny women would pass through the copse, the side alley that led to the 24 hour Spar, the petrol station. Cars would always pass regardless. The wholeness of the city was a great sprawl of this transitive passing.

And then the door.

She twisted the brass handle. The screw screamed in its lock, but nobody heard it.

(Can we always be stuck like this, honeycombing our bodies?)

It felt magnificent, holding him in the darkness as she always did, the frost forming rime on the skin of their lips. Somehow they knew the door was a separation. A transmutation of the flesh would occur in its fold, the way the pull-back of a hinge would sweep away time as they knew it. This was okay somehow, almost reassurance.

[…& continue].

Short Story: Selkie

(A short story I wrote back in March, knee-deep in Tom McCarthy’s Satin Island, handfuls of Romanticism and longing for the sea. It’s about an oil spill, a young boy’s strange obsessions and his very indulgent Daedalian poetry)

Selkie

IMG_5743IMG_57431

He’s become obsessed with making lists of optical properties. Qualities of light quantified on a complex scale he devised at midnight, drunk on a month of insomnia.

His father is very concerned. He comes home and pours amber from the bottle, watching his son pore over homework. Sometimes a storm shatters the sky through the window and they are both oblivious; the father is a terrible farmer. He keeps just a small herd of cows. A local girl comes to do the milking because he is incapable sometimes, and he won lots of money on the races which pays for her wages. He’s grown sick of the jelly-pink udders.

The boy draws lines, draws a series of overlapping ellipses. This is his expression of despair in the face of algebraic equations. He has grown quite fond of receiving those sweet red Fs.

The community is idyllic as any island could be. The school is offshore, on the main island. Every morning, he gets the ferry with the rest of them. They move as one great shoal of fish. Sometimes he watches it happen from afar, the torrent of school uniforms dissolving through the mouth of the big white ship. On such mornings he turns away and walks further inland, hoping to find comfort in the hills.

He never does. It is only the sea he loves.

[…]

Once, the milking girl tried to make a move on him. She used to wear her hair in braids stitched together across her skull, but that day she came in with it long and loose and wavy.

“Will ye not get it in the muck?” the father asked, secretly admiring her golden tresses. She smiled at him. She waited for the boy to come down from his room, eking out time with every pull of the milk. He saw her bent over like that, the hair dripping over her shoulders. He was holding a tattered textbook.

“I love that you read,” she murmured, to no one. The sound was drowned by the cow’s impatient grunt.

“Easy girl,” she said, thwacking its flanks. The boy stood there watching and she mistook that for desire. She turned to look him in the eye, letting the left strap of her top slip down her arm. That one white breast would haunt him forever, like an immature moon. He averted his gaze.

“What do you want?” she asked.

“I don’t know,” he admitted. He sat in the straw, slumped to the floor, and wept. She had never seen someone so pathetic.

He would stand in the shallows of the sea and feel this ache that was deeper than any pain he had ever experienced. It wasn’t pain exactly, but it was a thing that gnawed at his chest, so much sometimes he could hardly breathe. The grey green waters would shlock around his ankles. In the distance they darkened to purple, to wine. His soul was scorched by sunsets. He picked up shells and held them to his ear, listening for the ocean’s distant, groaning radio.

The old woman in the village store told him she sensed his misaligned chakras. She had a bracelet for that, studded with seven power gems.

“You should wear it day and night,” she warned him.

“I have no money.” He studied the trinket with interest. The citrine and carnelian were pretty, but it was the clear quartz and amethyst he liked best. The tiny crackles inside reminded him of waves, preserved in time.

He hung it back up on the stand, alongside the crystal pendants and the celtic knots they sold to tourists.

“I’ll have a postcard instead.”

“A postcard? Who on earth do you have to write to?”

He sat on one of the picnic benches by the shore. The wind kept threatening to blow everything away so he had to pin the card down as he wrote. It was a picture of some white boats against a flaming sundown. Utterly cliché.

Dear mother, he began. What else was there to say?

Sometimes he would walk for an hour right round to the other side of the island. There was a cleft in the rocks you could find for safety at high tide; it was sufficiently above ground to protect one from the flailing salty waters. He would nestle in that cleft and compose lines:

The vitreous lustre of the sea turning starboard
in tidal cycles, an errant moon
throwing zephyrs across the still bright sound. 

Oh mariner, how you have travelled
so deep in the blood of the world! I miss
the sense of your stories, sharp as whisky

in bars where the girls did sing: how lovely
is the newborn day! There are precious
few elements as vast as you, I should

dream only of your strange motifs,
a darkening glass against turquoise air.
In the morning I plot 

my passage to the mainland, sullied
with the effluvia of island living,
drunk on the salt and the still bright rain. 

He would never show his words to a soul. He rolled the thick pages, torn from his father’s ledger, and stuffed them in the empty tubes that once held his teenage posters. The woman in the café served him strong black coffee, and never once asked him why he wasn’t at school. He left her a £1 tip, excess change gleaned from not eating lunch.

Sometimes he would stand on the edge of some cliff and let the wind buffet his body so hard it was perfectly possible that he’d be torn from his mount and hurled to the sea below, stirred up and strangled in its milky swirls.

A week after the milk girl quit, there was a terrible oil spill. Nobody was quite sure who was to blame. People skipped school and work to go down the shore and watch the slow undulations of the oil on the water. It reminded the boy of something oozing in his dreams, a black thick sweat that covered everything. He wrapped his father’s jacket tight around his shoulders. Flecks spattered the silt and shingle the way ink sprayed from a burst pen. They were waiting for experts to arrive.

Some of the islanders wore oilskins or workmen’s gear and went down the next morning to help clean up. The boy had spent half the night on the safety of his favourite rock, watching the oil thicken and coagulate in the shallows. A few birds washed up, unidentifiable. They looked like lumps of hematite, shining in the new full moon. Sometimes the sight of that black shining oil was so much that the boy could hardly breathe.

It was a job that went on for weeks. The oil just kept coming and coming. People from the news arrived with fancy cameras and started interviewing the locals. They said it was one of the worst offshore spillages in a generation. Old folks tutted and blamed the greed of the mainland.

“They might as well have fountains in shopping centres, spraying this stuff around, for all they abuse it.”

The boy kept a diary of the oil. He tried to write about it purely aesthetically. He wanted a thousand words for black, thick, inky, viscous.

Screen Shot 2017-05-30 at 13.45.45.png

The words brought temporary distraction but deep down they sickened him. He longed to put his bare feet in the sea again. His father scorned him for not helping with the clean-up. He had to do double-shifts with the cows, now that the milk girl had quit.

“You lost your chance there my son.”

The boy started stealing his father whisky. He knew where the weak point was in the distillery warehouse. His father left him alone after that, asked no questions.

The boy noticed that the light on the island had changed with the coming of the oil. Before, it was all stained glass, watercolour: bright and airy. Greens and blues refracted through each other, sparkling. Now the oil cast strange shadows; there were colours on the beach that the boy could not name. He tried to make sense of them with numerical scales to measure the gradients and shades. He kept his notes in a new journal, whose edges were already curled with dried rain, spattered with sea oil.

The sea reveals its fleshly skin of jade,
the green that makes flickers of the water
shiver among those darkling fish, to fade
inexorably among its daughters,

the girls of the dawn with their wet sea fur.
Five generations have known such deep love
as to carve loud bones from the ocean’s whir,
still spinning the buoys at their broken hulls. 

We wait on the rocks for the siren’s call,
laying our bodies to waste on the sound
while the immature moon makes fools of all
who believe in the beautiful, who drowned

Easy as sailors on a summer’s day,
Bloated with salt, time’s lustful decay.

Sometimes his language was so cloying he literally fell violently ill. It was as if he were at sea on a ship, rocked back and forth by a bullying tide. His father found him curled over the toilet.

“Have you been at the whisky my boy?”

“No father. I’m sick at heart.”

“You’re in love?”

“No. It’s the oil.”

He could not eat. He could not sleep. Night melted into day, the hours sat atop one another with the stagnant sense of that oil on the water.

Once, walking along the shore at night, he fancied he saw the milk girl. She walked naked across the sand, her body waxen white, as if carved from the moon. He felt so dreadfully solid in her company. The gooseflesh prickled his neck. She was singing an old song they had learned at school.

From the old things to the new
Keep me traveling along with you

He’d once hated the song, finding it a trite and gooey hymn, but the way she sang it made his heart sting. He realised then that he was no longer a child, that he’d no longer have the innocent luxury of hating something the way he used to hate that song. He thought of the days when he played in the sea until the sun sank behind it, spilling its fiery peach light across the water. How he used to come home with jellyfish stings, salt in his pores, sunburn from the hottest June afternoons.

There was the flaking, turquoise paint on the hulls of abandoned ships. The colour of rust, the old iron chains that oxidised fast in the saline air. The abandoned, unravelled feel of the old yard where the dead ships waited to be repaired. The salt sped everything up, made objects fade eons before they should.

The sea howled. Storms came in quicker than they usually did at this time of year. There was a brief shortage of food as the boats struggled to get offshore, beyond the oil. People were irritable and the cows yielded badly. The boy found a beautiful starfish washed up in a cove. It was jet black, encrusted with oil. It looked like some kind of exotic ornament, worn by a rich lady in a Bond film. He kept it on his windowsill, admired it as the minutes ticked long and slow on the clock.

When the seals started washing up, choked and black and dead as bin-bags, things got serious. Their mouths were bloodied and dry and choked, splayed open as if caught in a final howl. Did seals howl? Could they?

Specialists from the mainland arrived in helicopters to help with the cleanup. There was talk of the island receiving huge subsidies and pay-offs from the petrol company responsible for the spill. Teenagers snapped pictures on their phones and posted them online, tagging them with things like: #shocking #awful #evil #gross #capitalism #darkaesthetic.

The boy realised his peers were wiser than he thought. But they did not know the real damage, the agony he felt sloshing in his chest every time he lay down. There was the sea. It was always there, but once it had been a brilliant cerulean, mottled with orange and heather, grey and jade. Everything smelled of dull and stinking petrol. He wrote in his journal:

It is our world’s first beautiful disturbance. All disasters must entice the eye. 

He thought of 9/11, watching the replays on the television screen while his father drank steadily on the sofa beside him.

“There’s evil out there, my boy.”

“But what about the evil in here?” The boy pointed to his own chest. His father laughed.

“I don’t think you’re going to take down buildings any time soon.” Clumsily, he helped his son with his tie. “Now get yourself to school.”

That isn’t what I meant; it isn’t what I meant at all. 

Sometimes on the rocky plateaus the remnants of oil ghosted the overflow of water, left swirling patterns of rainbows. He checked the internet and saw that people at school were posting lots of photos again. A girl in his class said she was doing her art project on the oil spill. He wanted to tell her to stop, to tell her she knew nothing about the changing colours and the way time was caught in the turgid undulations.

“Father, when will you tell me about mother?”

“What is there to tell? She left when you were still a babe.”

“But—”

“There’s things you won’t understand til you’re older. Now go and play.”

He had not played for five years. He was old now, he was wiser than anyone thought.

He lugged empty bottles across the road to the dumpsters. He now knew the clinking was conspicuous; he could feel the eyes on his back as he smashed each one through the hole.

Once, he dreamt of the milk girl, lying on one of the hillside fields inland, her hair plaited with cowslips. She was humming a tune because it was his birthday. She drank from a bottle of cherryade, the miniature Barr ones you got from the island store. He saw how her tongue was staining red. He woke up feeling very ashamed.

The raven-dark sea made a fool of me,
those tides of black crashing waves in the night
against the harbour wall. I miss the green
abstracted aqua light, playing so bright

amid those blues, those waters clear as glass
who sheltered the glossy ribbons of fish
to swim in the shimmers, burnished with brass
by an old sun that loves life like a wish. 

And now, if I were but a lonesome child
making his way to the soar of the sound
would my young mind find soon such passions wild
inside lagoons, whirlpools, tide patterns bound?

Son to the slippy, cerulean sea,
I rise forward in time to what will be.

When he saw the oil-stained peat of the rocks, the blackened beach, he kept thinking of those towers collapsing. It was like someone had the bright idea of symbolising how everything was falling apart with one fell swoop of a global, terroristic stunt. He asked his teacher if the sea could go on fire, now that it was coated with oil.

“Some folks say that’s the best way to deal with it,” she told him.

“So why haven’t they?”

“I’m sure they have their reasons.” But the boy was sick of not having answers. There were so many creatures out there, wailing with pain beneath the surface, and no one was listening. The ships went out but all they seemed to do was swirl the oil round and round, gathering it thicker. Nothing disappeared. Nothing. 

One day, he came home from school to find his father rifling through his papers. While his files were normally organised, shut tight in a drawer, now they were scattered all over his bedroom floor. His father had let a glass of wine spill on the carpet and now a horrid red stain accompanied the places where cigarettes had been stubbed, where coffee had seeped into a forest of fibres.

“What are you doing?” he demanded.

“This stuff, son, what does it all mean?” his father looked at him with tears in his eyes, a sight which struck fear in the boy’s heart. His father only wept on Sabbath days, and even then, only in the early morning when he thought the boy was still asleep. But of course the boy heard him through the walls.

“It means nothing,” the boy said, furious, “absolutely nothing.” He swept up all the papers and slammed the door in his father’s face. That night he would burn the lot, then take a bath in the masses of ashes.

Dear mother, he wrote. He was in the island café and his tea had gone cold. It was three o’clock—the dead time—and the waitress hummed a lonesome song as she swept clean all the tables. He was writing on the back of another postcard. It showed the standing stones, the ones in the centre of the island. He’d only been there a few times.

I don’t know where you are or what happened to you. How many times is it now that I’ve written to you? I wonder if somehow your spirit catches these words from the ether, even as your body is absent from their possibility. I hate myself, I hate my words. 

He scribbled out the last line.

I want to get back to you. Father is worse. He drinks like a fish, a seasick sailor. I think he misses the sea more than I do. I think maybe he hates being a farmer, hates the land. Its demands. The sea demands nothing. It doesn’t need fed. But now we’ve fucked up so bad. We’ve poisoned the sea. And maybe you’re out there somewhere watching all of this on TV. The birds are so sticky with oil they lie down without flight and never get up. Some drown. Imagine that, drowning in the black black oil? The feel of it choking in your throat, sickly as molasses. I can’t help feeling it’s somehow my fault. My blood feels poisoned as the sea. Everything is slow and sluggish and heavy. I hardly want to get out of bed. I can hardly breathe. 

His handwriting grew increasingly minuscule, so that a passing glance would reveal more a black block of tiny, pressing shapes than actual words. There was something satisfying about seeing all that ink crushed together; it was a bit like the oil itself, taking over the whiteness of the page.

The boy left the café just as it was closing, as the dusk was settling into the sky over the sea. He took the winding path down to the beach, stones crunching beneath his feet. He took a detour to pass by the recycling bins at the end of the street. The café stood alone, its lonesome sign buffeted in high winds and often hurled across the beach, but it wasn’t far from houses. Each one painted a different shade of pastel, to hide the despair of the residents within. The bottle bank, as always, was overflowing. The boy chose a slender, clear bottle, labelled for gin. He picked up a lid from among the street rubble and luckily it fit. Down by the shoreline, he rolled his postcard tight into a tube and posted it through the bottle’s neck. Screwed the cap. Hurled it far out into the waves, where it bobbed for a moment, before the gathering night tides stole it from sight, swirling into darkness, distance.

Her milk-sweet cheeks…

He scratched that one.

 The open lungs of the still-breathing sea…

Trackings of light from west to east:
Time co-ordinates; forgotten detritus
Blended mermaid’s purses, lemoning
pale and lovely skeins of flesh
in the gloaming, a moon’s first milk
making cream of an evening,
the curdled settlements of a westerly tide. 

My mother, my mother.
Your presence vectoring the harsher
veins of the waves in clearer photons
which press their coastal scars on the canvased
skin of a virtual reality, electromagnetic
stirring of the heart. 

There is a scattering, a donut-shaped diagram
shedding the chintz of its skull off
in dullish flakes, blueish as fish food. 

(…What are you writing son?
Nothing.
It does pains to lie; come on, show me.
I can’t.
You’re always so far away when you write.
Like mother.
Yes, I suppose…)

I ask father, could the sea go on fire? Like,
if you struck a match to the black black oil?
He said the water was alcoholic, sloshing
with secret poisons, a formula
for ending its own incantatory eloquence
that spreads in the waves such messages
as to embrocate the flow of blood
diseased in the world’s great spleen.

He said nothing of the sort; he was cold
and mean. The tumorous lumps
puffed at the pores of his torso, unfurling
like chanterelles, yellowing the gorse
and scrub of a forest. I knew then
that his pain was utterly edible.

A molten pot of onyx, a knot
shaped like a pretzel, the twisted
wire that snarls in the dark
of his heart. Father,
he was a sailor once,
a man of the deep
black waves.

He remembered the milk girl used to sing to the cows. She cooed at them, sickly sweet, then struck up some old folk melody he recognised from the songs they sang in primary school. Songs about the changing seasons, the inevitable cycles of nature. She knew how to keep the animals still, to tame them to her softening will.

Once, he made eye contact with a seal. He was sitting on a rock on the island’s easterly side, hoping for shelter from the autumn wind. The black shape had rose, dark and smooth, from the choppy grey waves. Its eyes had flashed back at him, uncannily human, green as his own. Green as the sea in the sweetest shallows, made greener still by heaps of seaweed. His fingers brushed the briny rubber, popping the sacs of air. Is it time yet?

In the café again, he was listening to the old waitress as she stood by his table, hands beating powdery flour on her apron. Her accent had thickened over the years, congealing into the island’s broad dialect like salt crystals fattening in the cracks of a cliff.

“They say half the men on this island lost their hearts to the beasts of the sea. I could tell you many stories.”

“My father?”

“Torn asunder, you could say.”

“By whom? A childhood sweetheart?”

(and if the candied dawn brings tastes luxurious…)

“Yer mother, stupid.”

“He still loves her.”

“She found her skin elsewhere. A better fit.”

“Liquid.”

“Yes.” She rolled up her sleeve. He saw how her arms were covered with an elaborate craquelure of scars and burns and etched-in scratches, as if the flesh were readying itself for sloughing off, the mottled pattern of a snakeskin.

Of all the animals in the marble menagerie
I choose you, silvery moon wisps of limestone
streaking the fault-lines
of my sparkling heart, its sacred burial
beneath the midnight billows. Funereal,
sweetening the crumbling aura,
you see underwater, sharp as a seal’s
dilated vision. 

The love notes meant nothing, were for no one. Sometimes, he forgot the original purpose of everything. He kept quantitive records of the weather, the changing seasonal light, the pathways of the lighthouse beam as it cut across the bay, endlessly searching. He missed the special quality of innocence that the place had lost after the oil spill. Even with the cleanup, traces of the disaster remained. The sea birds had quit the agonised sea and even the crabs were shrivelled carcasses, washed up on litter-streaked beaches. The council had all but given up, now that corporate control was hardening its narratives of the wreckage.

What if the gin bottle remained, bobbing in one place, the current thickening around it, enriched by the stasis of oil?

the shadowy slosh of gelatinous babble /
like molasses i stretch long and sweet in your mouth /
i imagine the darkness inside you, a sable
annihilating the spill of me /
your gluey skin sticks to me with the tarry promise
of future absence / a terrible,
sickening lubricant

Sometimes, he wrote what he considered to be filthy, erotic poetry, forgetting to dot his i’s.

Everything he wrote brought him closer to the water. He felt his words surrounding him like cloying blots of oil, swimming in his sleep and spreading out through daily reality. His grades plummeted and his soul found solace only at twilight, bearing cold feet to the dusky waters.

He knew the milk girl came out sometimes to watch him. He saw her emanations from across the bay.

The cows were milking very badly. They grunted with inhuman fury whenever the boy’s father tried to draw from those shrunken teats. The boy ate very little and the father even less, chomping his way through stub after stub of cheap cigarettes.

“My gums are sore,” the boy complained.

“Lack of nutrition,” his father replied. He asked for a slice of lemon in his tea at the café. The waitress said fruit was scarce; she’d have to knock on 50p to his bill.

“That’s okay.”

A few nights later, he woke up to a pillow covered in crusted blood. His mouth was the same, darkened with black clots. A gap in his gums. The lost tooth reappeared beneath the sheets, a little white stump of ivory, knotted at its roots with a tangle of red, seaweed sinew.

“Goodness son,” the father said when he saw what had happened. “That’s one of your molars.”

Terrified he would lose the rest of his teeth, the boy ate only liquids, or else the slippery fish they served sometimes as specials at the café, depending on what the men could bring back from the boats, delicate in silver lamé. Sometimes the fish tasted of petrol, but nobody voiced this opinion.

The boy placed his tooth in an old spice jar and hurled it out to sea, an offering. Sometimes he felt the wind whistle through the gap it had left in his mouth.

The rock pools were finally back to a greener colour. Good healthy emerald sea lettuce, the tawny rust of cystaphora, tangles of Neptune’s necklace. Salt crusts formed round the edges. The boy dipped his fingers in to feel the warming water. Was spring coming?

There was the milk girl, ghostly in a tangle of cowslips.

“How are you, it’s been so long?”

I love the seals and the way their skin
is a rippling film of oil, the wrinkles
like sexy black outfits on tv
stretching and spreading for the flesh
of human hungriness. 

“These diagrams,” he told her, “chart the changing luminescence of the dying ocean. Tide patterns spread the moon to buttery swirls in different directions. See where this ellipsis meets the horizon’s curve?” But she had no interest in his geometries, his Venn, his equations. She wanted to talk about the people at school, the films you could see on the mainland cinema, the new dress she had made from an old white silk.

“Do you believe in mermaids?” she asked.

“No.”

“Why not?”

“Women are not so callous.”

“If you come to the field I can show you my skin.”

“The strawberries will be out soon, a bed-sheet studded with dewdrops of blood.”

“My skin is white. I am white as the moon.”

“I believe sometimes people breathe underwater.”

“You’re so mysterious. You speak like somebody much older. I had an uncle once…”

“I’m not sure I love you.”

“That’s okay.”

He might have gone with her, might have watched as she shed the magnificent white dress, cast it into a crumple like the cape of an angel. He followed the trajectories of her limbs, watching the shadows move in rhythmic repetition against the pale grass, felt vaguely the rubbing of skin like the way it feels to walk barefoot through fresh, juicy mounds of seaweed.

“Do you miss her?”

“Well enough. I know she’s out there somewhere.”

“Is that really enough?”

“Sometimes it’s all there is.”

The island was gifted a grant as compensation for the oil spill. The village was cleaned up and the shopfronts repainted. The rusting boats in the old dock were going to be towed away to make room for new ones.

The boy and the milk girl started playing a game. They would jump off the harbour wall, hand in hand, utterly naked at the darkest point in the night. In the cold black water they would scrabble down as far as they could, holding their breath, waiting for the exhilaration to rush through their blood. They tried to prolong the time before resurfacing, scrabbling for weeds and stones to tug them downwards. Soon, however, the tide buoyed them upwards and they were gasping for air in the midst of pure darkness. A single light from someone’s cottage spilled gold on the water’s surface. The girl’s hair was blonde and the light was gold; everything else was blackness.

Our bodies slippery as bladderwrack
beating the tide in the stillborn black,
a bolt of cold struck deep in the veins
where poisons gather their listless death. 

Everything he wrote was awful now. Soured by the thing that had come between him and the milk girl. He slept all day, wrote by twilight, cast his notes to the wind on his least favourite side of the island. The place with the graves, the place where the air was warmly rich with spirits. It unsettled him.

“You’re missing a tooth,” she said once, poking her fingers round his mouth, where the gums were soft and rubbery.

“Yes.” He clamped down hard on her fingers and she yelped, playfully, like a pup. They went back up to the farm and helped out with the milking, so that it was done in triple time and the three of them could have a meal together, big cups of cider and a shared loaf of bread. She sung into the twilight and the men listened in silence.

The boy took down all his diagrams because the milk girl told him they were freaking her out. He wanted her to sleep in his bed but every night she insisted on going down to the harbour. What with the daytime milking and the nighttime swimming, the boy was growing very exhausted.

“What are we trying to prove?” he asked, folding her shining body to his in the moonlight.

“I want to know, I mean, I need to know.”

“Know what?”

“Can we be creatures of the sea?” He thought then of the seal who had stared at him long and hard, like it had known him forever. He shivered.

“Maybe it’s better not to. Then we can just pretend.”

“You miss her, don’t you?”

“Who?”

“Your mother.”

There are different types of orphans. Some are split irrevocably from their origins, by death or neglect. Others are tied to this primal region of their life by a gossamer thread of dreams. The milk girl seemed to have hatched from the sky, on a pure and cloudless night.

One time, they were night-diving down by the harbour and she disappeared. One minute, they were together, tangled in the gruesome depths of the harbour; the next, he could not feel her body at all. All was rock and weed and jellyfish. The tide was high, it had come sloshing up the walls and with it all manner of ocean debris. As the elders always said, the sea hurls back what gets hurled into it.

After swimming around in the churning currents, trying to make out a slender white shape, the boy gave up. He climbed the rusted ladder and promptly vomited onto the concrete, mouthfuls of seawater and silt and evening coffee. Shaking a little, he stood on the edge of the wall, looking for the gold-blonde head of his little seal. Maybe she just swam away from him, following some milky highway of moonlight back to her nebulous origins. But he could not help but think of how she had just vanished, torn away by some invisible current, her body ensnared by terrible kelp.

She never returned, and he realised that nobody noticed that she was gone. When he asked his father about the milk girl’s parents, he said something vaguely ominous and strange about how she was an outsider, “an immigrant to the island’s soil, born from luminous loins.”

Enough of the hoary midnight mist
that tricks me into feeling.
I am old as the sand, a grain
of the past, and I
am willing to die for that.

He found the dead starfish in his room, still crusted black with oil, as if it were a strange piece of jet or coral. He took it down to the beach one evening, when his bones were aching from all the walking he had done lately, scouring the cliffs for signs of the girl. The starfish looked so vulnerable, but in its black outfit seemed completely strange, a being from another world, resplendent in PVC. He returned it to the dark waters, slipping it under the shallow waves, waiting for it to be pulled asunder. He realised then what a fool he had been, to think he could take something from the deep of the sea, even to hold it and love it. The oil had gone and so had the sea’s suspension, now released into a churning, awful hunger, the cycling time and crazy waves that kept the boy awake—night after night, day after day.

Elementary Witchcraft

Elementary Witchcraft

(something written before Christmas)

I stir the coffee in time with my monotony. Footsteps from when the children used to play round here still haunt the kitchen walls. Everything tastes black, bitter. The plaster is peeling. I made friends with a spider who lived in the top corner of the window; while washing the dishes I watched it spring out for its daily kill. It was satisfying to observe the squirming flies, caught in the sticky web. I licked jam off a knife as the pincers squeezed their deadly juices. Sometimes I buy butter, but often it is too expensive and now I make do with the cheap stuff, which Tessa is always telling me to stop buying since it is full with nasty chemicals. I don’t mind. I like the sense of my body building up all those chemicals, my veins like rivulets of rock, acquiring their cholesterol, their calcium deposits. Darling, it is all geological.

Josh sends his love from the city. He has a new girlfriend, a very pretty young lady with reddish hair and soft, emerald eyes. Basically, she has walked off the page of one of the fantasy novels he read as a boy and goodness, how lucky he really is that she’s real! I will possibly never see him again. Her parents own a castle in Dumfries & Galloway and that is where he is spending Christmas. There will be extravagant banquets, servants, Christmas crackers stuffed with fivers and slivers of unisex jewellery. Charades by firelight and expensive brandy. Here, I have made a small effort at seasonal preparations. There are three jars of pickled onions, a tangled pile of fairy lights, a box of Foxes biscuits—which I have only just refrained from devouring on several recent occasions.

You see it is very difficult to restrain myself these days; there’s no one else around to stop me. Tessa will come for the day and we’ll watch the soaps and probably smoke a great deal of her Silk Cuts and not bother very much with the food. She has a wonderful taste in tacky festive music and so we’ll blast it out with the windows open, the cold air rushing in as we dance around the kitchen, the wine bottle bubbling with festive spells. It is one day of our lives together and it will be perfect.

Tessa can’t come at all. She has to work; she’s a nurse. In fact, right now she’s probably clasping a long thin syringe, sticking some viscous, silvery substance in someone’s skin.

I pour the dregs of the coffee down the sink, which is clogged with nasty pieces of something that might possibility still be living. The bin overflows, but I don’t bother. The thought of the ice-slippy steps and the neighbours gazing at my garish, half-hearted outfit somewhat disturbs me. I have thirty minutes before I must leave for work, but the clock doesn’t seem to be working and it’s uncertain as to whether I can trust it. The minute hand pulls slow and gelatinously over and over, never quite moving past itself, stuck in the honey-trap of its own echoes. My teeth feel dirty and coated, as if I’ve feasted on some delicious thing with a skin. In the mirror as I brush them I see my face contort like an animal’s. I have such furious eyes, the skin beneath them spilled with their shadow.

Accidentally, I rip my tights as I pull them over my knees, the gossamer threads unravelling so easily. The mohair jumper that I quite liked and thought quite smart indeed has a mysterious stain on its front, which I can’t quite explain. My fingers remain jam-sticky, even when I scrub them raw with fairy liquid. It is impossible to conjure a style from my hair, though by now I have learned to be content with this fact. I have a headache which feels like rocks pounding off rocks in a hollow cavern where salt spray lashes at the walls.

Somehow I am late for work. On the bus in the plexiglass of the windows I see the reflection of a girl who is very tall and wild, whose ragged face seems to have come from another place. It is only when I sit down, clutching my handbag and its absence of forgotten lunch, that I realise she is me.

Siamese

[…This is a story that has undergone many drafts in the past 6 years. It originated as the first piece I wrote (after not writing anything creative for over two years) for my Advanced Higher English Creative Writing Portfolio, which was (to the great frustration of my English teacher), altered about 500 times and in the end we decided it wasn’t quite suitable for submitting. So yeah, it was left alone on some dusty corner of an old harddrive until 2013 when I tried on a whim to redraft it again. What started as a gothic, emo-inflected horror story about the loathing of one’s body was fleshed out with some more character development, an unnecessary amount of diegesis and detail. When the opportunity came to submit a ghost story for GUCW’s Halloween Short Story Competition, I decided to revisit this strange tale again. This time, I didn’t just add or cut, I wrote the whole thing out from scratch. In a way it’s completely different, but the plot is mostly the same, and it takes place over the course of one day. I like when stories do that, because time is quite a stressful thing. Let me know what you think…]

tree2

Siamese

Every morning, the sunrise grew stranger; sometimes it was difficult to tell it apart from sunset, the distinction between day and night dissolving altogether. Recently, whole hours had been disappearing, afternoons and mornings lost like cells melting in the bloodstream heat of a vein under pressure. Before getting dressed for school, Maya got up very early and stood at her bedroom window to watch the sunrise. There was something about the queer, flesh-like light, pink clouds streaked with red, which made her skin tingle weirdly. While she watched the colours change, the clouds pull apart as if exposing a wound, she sometimes forgot that she inhabited a body at all.

Often she wondered if she was actually alive; if there wasn’t some other reason for her walking across the cold tile floor at six in the morning, looking over her shoulder, pulling the scratchy woollen socks above her knees, flipping open the lid of her laptop to check her emails. Such a pointless task, the checking of one’s emails, and yet…

There it was again. The email from herself. MAYA. No surname given. At first, she had found one in the depths of her Spam folder, but now it had bounced back to her inbox. She had received one of these emails every day for the past week. It was foolish to open such a message, which she knew could be nothing but some cheap, automatised attempt at tricking her into activating a virus…And yet. The house was still dark, her mother asleep. Only flickers of yellow gold from the sunrise oozed on the floor of the kitchen where Maya sat with her laptop, the shiny varnished floor which seemed to guzzle the light, crave it. It wouldn’t bounce back its heat. Shivering, she opened the email.

***

At school, the people who were and were not her friends called her Mad Maya. Mad Maya, Mad Maya. Leaving her house, she took the familiar route through the ancient copse of fir trees and across the village green, every morning rehearsing the childish chorus, rucksack thumping heavy against her back. Sometimes she heard her classmates’ whispers in the rustlings of the trees, as if the world itself regarded her with equal harshness. Today, the voices were louder than ever. It was impossible to draw sense from that chaos of lashing language. There was a familiar tone beneath the rasping exterior, a familiar tone that jarred unpleasantly with Maya’s attempts to forget the words that swirled up around her in flurry after violent flurry. By the time she had pushed open the school gates, bumped cigarettes off Dodgy John with her lunch money and followed the ring of the school bell, she was physically shaking.

In science class, the teacher was trying to explain how blood gets pumped around the body. The girl sat beside Maya was mindlessly scribbling love hearts all over her jotter. The teacher mouthed the words at them, but no sound seemed to come out; everything had slowed down, as if underwater. Words materialised on the board: atrium, Vena cava, tricuspid, ventricle, pulmonary artery, semilunar, aorta…Lush, intangible, otherworldly words. Every time Maya tried to write them down, her hands shook uncontrollably and the pencil fell from her fingers, clattering conspicuously on the floor. The more she learned about human biology, the more foreign she felt in her own body, as if she were discovering some hideous secret from all those diagrams and lists of words.

If she lifted her book off the desk at the end—which she must have done, because somehow she got out that class with her things—she would have seen the graffiti underneath, a kind of ancient inscription in jagged letters: M A D  M A Y A. She did not recognise the handwriting, but it sent a jolt through her. It was possible that she had seen this before.

***

She found herself home early. The house was silent and her mother was still out at work. There was no car in the drive, not a single dish piled in the sink. Sometimes Maya worried that her mother would disappear. How little she ate! Then there were the useless prayers she still eked out before bed, kneeling by the living room window, where on clear winter nights you could see the moon, flooding the carpet with silvery light.

O, wash me, cleanse me from this guilt. Let me be pure again…Restore to me the joy of your salvation.  

Sometimes, the susurrations and mutters of her mother’s prayers haunted Maya’s dreams. There was a time when she stayed out later and later, wandering the streets, just to avoid them. If only she knew what single guilty thing her pious mother had done in her life; that central act of transgression that seemed to define her, irrevocably, as this fragile, selfless being. Often the act pressed itself so heavily on Maya’s mind, massive and burning like some elaborate tapestry set fire to by Satan, that she could almost unpick its outline and form. But it was possible that she would never discover the truth as to why her father left soon after she was born, why on a daily basis her mother clutched God’s cross so tight around her neck.

She tried to sit down and do her maths homework, focusing slowly on the sums, as if each one were a special code she needed to disentangle, to find the kernel of meaning, the way they did with poems in English, scanning words on a page and picking at them, as if each one was a stitch. The problem was, each time she held a few figures in her head, they were snatched away—it literally seemed as if some force were wrenching the numbers and crushing them into some dark part of her unconscious. Some day in the future, perhaps, she would again encounter those fractions, sets of ones and twos, sixes and sevens, come to divide and splice her mind. The lines and figures appeared shakily on the page. Suddenly, the phone rang.

“H-hello?”

“Yes dear, it’s me!”

“Oh, Gran. Hi.”

“I’m just checking up on you dearie, it’s been so long.”

“Yes.”

“Are you busy just now, fancy a chat?”

“Doing my homework.” It was such an effort to talk at all; the words felt garbled in Maya’s mouth, like hieroglyphs.

“Oh, I’m dreadfully sorry—I didn’t mean to disturb you. I’ll let you get on then, I—”

“It’s fine.”

“You sound sad my child. You go and get yourself a wee biscuit or something. The sugar will help. I hope it’s not too difficult, what you’re doing, I—”

“Bye, Gran.” Maya clicked off the phone before her grandmother could finish speaking. She did not replace it properly on its hook and the cord dangled obscenely from the wall.

With mechanical obedience, she opened the cupboard and pulled out a packet of digestives, holding them in her hand as if they were some foreign food and she did not know what to do with them. Her hands were shaking again. Slowly she took out a biscuit, and tentatively bit it. She could not hold it in her mouth, and she ran to the sink, gagging. Some alien sensation seized her and she knew she could not eat, though something like hunger ached vaguely in her stomach, spreading up to her chest, settling in the centre as some unwelcome glow of pain.

Perhaps it was heartburn. She poured herself a glass of milk from the fridge, remembering an old trick of her mother’s to cure it. She lifted the glass to her lips but suddenly stopped. On the surface of the milk was a thin, quivering skin. Bile rose in Maya’s throat. She thought of jellylike scabs, wobbling with pus and blood underneath. The smell was gross yet oddly familiar, primordial somehow, like the smell of a womb. The glass dropped from her hand and shattered on the tiles, the milk bursting everywhere, sour and white, spraying itself on Maya’s clothes and skin, where it clung like some viral, viscous substance.

She slumped to the floor, momentarily paralysed. The sound of the phone off the hook resounded throughout the house, a pulsing, crackling sound that came from somewhere else: please check and try again.

***

As usual, she had met him at lunch, by the neck of the woods where the sycamores draped over the river, the river that wound round the whole village like an elaborate, snaking artery. Every Wednesday and Friday they would skive class together and nobody had ever noticed. He was two years older. They walked into the woods together, not clasping hands until they were shrouded in darkness, and even then, it was not clear how it happened, who made the first move. At this time of year, the mid-afternoon light was very white, shining down in strange beams through the thick canopy of trees. They would find their secret place. Each time it felt new to Maya, though she suspected that the boy hardly cared. If she came here alone, she would never be able to find the place.

Gently, he unravelled her from her school clothes, her hair coming loose in his fingers, her tights scrunched to a ball on the forest floor, crumpled like a shed skin. Her body was lily-white in the cool forest light, her shoulders exposed to the shivers of the trees and the tear-like glimmers that clung to the needles. Each time, he would run his hand automatically up her stomach; he would trace the long scar that ran up her left side. He would trace it slowly, lovingly, as if he were following the seam of a secret. The mark of ruined flesh. They never spoke of it, but each time he would reach down to trace it, to read it like braille, even as they kissed. Once, the sensation had given her delicious shivers, but now it meant nothing at all. Before, it had even been slightly painful, the scar so tender under his touch. Now, she could hardly feel it at all.

“I had a transplant,” she told him, the first time he asked. That was all she knew. She had never bothered to learn more of her own body; the boy had taught her all she wanted to know.

His flesh was pale and silver, a latticework of pulsing, blueish veins, but even as he pulled her over his body, she could not feel him. He was light as air and her body was not her body.

It was as if she were watching herself from afar, a child crouching behind a tree, stricken with terror and curiosity. She felt sick afterwards, and in fact even retched a little. He passed her a cigarette. She could hear the trees whispering again, and this time it sounded as if they were calling her name. Mad Maya, Mad Maya.

***

Possibly it was nightfall, sunset, the house so quiet, her mother asleep. The email lay open on the screen, its contents splayed out and glaring their strange incandescence across Maya’s bedroom. A chorus of acid colours spilled liltingly, tauntingly through the window. The ache had deepened in her chest, so deep it felt like her own veins were strangling her heart. It was difficult to breathe, with the dust of the room and the air that filled her lungs like spider webs mushed to molasses.

There was the collage of her entire life: comically vicious stick-figure drawings from her primary school jotters, school reports, doctor reports, notes to friends, reams and reams of texts, the carefully-typed emails she had sent to the nurse, impassioned diary entries scrawled in that distinct thirteen-year-old hand. Traces of the white powder devoured at weekends, the imprints of the boy’s kisses on her shoulders and neck, captured uncannily, impossibly, as polaroid photos, the bruises glowing through the skin like ghosts. Nothing felt real anymore. Maya hitched the laptop closer on her lap and peered at the pictures. Each one was a palimpsest, layered below streams of lurid red typewritten print: Mad Maya; parasite; murderer; the wrong child; sinner and sinner and sinful and sin. She shivered and gasped. She felt the screen start to shimmer, the pixels elasticating, blurring, the LCD surface beginning to compress and open, like a portal.

For a moment, the power cut off. A reflection appeared in the darkness of the screen: there were two Mayas, conjoined at the waist and the chest, struggling for breath. As the light flickered back on, the bodies flashed negative as if under x-ray, and in that second it was possible to glimpse the single aorta, throbbing like a terrible eel, tangled between the two bodies.

The laptop’s screen had cracked, but it didn’t matter. A silver moon beamed its single slice of light, guillotine thin, upon the glass.

***

How beautiful the world is! In the mirror the girl ran her hands through her hair, she felt the lovely inky glossiness of it, the way her skin was so soft and milky. A finger ran up the length of the scar on the right side of her body; in its crosslinks of knotted collagen she could read a virginal history. She picked up a notebook from the bed and felt its pages skim beneath her fingertips, delicate and full of possibility. A whole life to be written on those lines. The girl found herself at the window, yanking open the glass with fresh young limbs. The night air was cool and ambrosial; the air smelled of wild pines and the coming snow. The heat around her heart started to liquefy, spreading a pleasant warmth through her blood. Yes.

On the desk, a phone buzzed with a text: Where are you, why can’t I reach you?

So Long, Marianne

So Long, Marianne

(a story I wrote back in April, after a friend gave me two prompts: ‘railcard’ and ‘lonely’).

She found the railcard lying in a puddle. It was the case that caught her eye: its plastic glitter coating blinded her momentarily as she waited to cross the road. A single beam of sunlight had caught that glitter and Amanda knew it was for a reason. She knelt down to pick it up, wiping it clean on her jeans. The man standing next to her on the pavement eyed her warily as she examined it. The name on the card was Marianne Holbrook, and the picture, slightly blurred, showed a girl of Amanda’s age, with cropped brown hair and eyes rimmed thick with kohl and shadow, lips a deep rich red. On the flip side of the case was another card: a student ID, whose expiry date was last year.

“You should hand that in you know,” the man beside her said, interrupting her reverie.

“Yes,” she replied.

Amanda did not hand it in. She took it home with her and tried to go about her evening as normal. She put it up high on her bookshelf, next to the little cat ornaments her grandmother had given her as a child. She put the radio on, to make the flat seem less quiet. She boiled the kettle. She stood in front of the mirror, brushing her long thick hair. The jangly pop music seemed only to ricochet off the silence, intensifying instead of subduing it. Amanda tugged and tugged at her hair but she could not get the knots out. Tears of frustration sprung to her eyes.

She felt pathetic for crying. Her arms crumbled to her sides and she threw down the brush. The kettle began to whistle. Amanda burnt her tongue on the first sip of tea. She checked her phone but there were no texts; there had been nothing, now, for three days.

The following morning, she went out on her lunch break and got a standby appointment with a hairdresser near her work.

“I want it very short,” she said carefully, fingering the long strands of hair that framed her face.

“How short?” The stylist asked, lifting clumps from the lengths of Amanda’s hair and letting them fall again, as if she were trying to gauge how much her tresses weighed.

“Oh, a crop. A pixie cut.”

“Bold, huh?”

“Like Laura Marling. Very short.”

“I don’t know who that is honey. You sure you have the features for something that short? I’m not saying you have a big nose or anything but wouldn’t you like to look at—”

“No,” Amanda said firmly, “I want a crop. Please. I don’t care about dainty features.”

“Okay, whatever you want.”

It took an hour. Great wads of hair fell away past her shoulders as the stylist attacked Amanda’s locks with her scissors. She cut away in steady, hungry snips until all that was left was a ruffled mess, short as a boy’s.

“Don’t worry,” the stylist assured her, “it’ll look weird until I’ve wetted it and done the layers.” Another half hour and it was done. The blow-dry took minutes. Amanda blinked in the mirror and tried to imagine what she would look like with heavier eye makeup. Marianne Holbrook. The girl in the railcard photo, blankly staring, mysterious.

“Thanks.”

“It does look rather amazing,” the stylist admitted, surprised.

Amanda went back to work and everyone was so shocked at what she had done that they all forgot to reprimand her for being late.

“Very sexy,” her boss said, biting his pencil. Amanda felt hollow inside as she sat down at her desk. The afternoon stretched before her, empty and dark as an elevator shaft. She couldn’t wait to get home; there were things to be done.

That night, she took the glitter wallet off the shelf and carefully pulled out the two cards inside. She took the student ID and held it over the bin as she snipped it into pieces. The girl in the photo looked very young: she had shoulder-length hair, blonde, a shock of fringe and a lurid shade of lipstick. It hardly seemed the same Marianne as the one in the railcard photo. Amanda turned the railcard over in her fingers. She had looked it up online and discovered that it granted the user unlimited free travel to any UK rail destination. It was a mystery as to how this girl obtained such a privilege, but Amanda realised that it had fallen into her hands for a reason. Without the obstruction of fares, the whole of Britain opened up for her like some elaborate flower, ready to ooze its precious nectar. She googled train routes across the rest of England, Wales and even, with some timidity, Scotland. The red patterns spiralled outwards, running their veins lusciously across the green countryside, alongside rivers, canals, forests and coastline. She looked up towns and cities, high speed connections and leisurely scenic routes. There was so much to see that soon enough, Amanda could hardly contain her excitement.

She would take time off work to live on  Britain’s trains. How difficult could it be? She would give herself up to the whims of timetables and route planners, to vague and uncertain destinations and journeys. There were some trains that ran through the night. There were stations with shelters that didn’t kick you out. If worst came to worst, she would tap into her savings and stay in hostels and cheap B&Bs. The whole while she would assume her new identity. She would be Marianne Holbrook. She would never be lonely.

She phoned up her work the following morning.

“Hello Gina,” she said, “can you tell Mr. Raymond that I’ll be gone for a few weeks?” Gina, the manager’s personal assistant, raised her voice to a shrill pitch.

“What do you mean, gone a few weeks?”

“Oh, I’m going away for awhile. My circumstances have…changed.”

“‘Manda—” She cleared her throat loudly. “I’m going to need a better explanation to give him…do you have a doctor’s note? Are you leaving? You’ll have to hand in your notice, there’s procedure—”

“Tell him I’ll just be gone awhile. He won’t mind. Have a nice day, Gina.” Amanda hung up. For once, she realised she did not care about procedure. She stuffed her phone back into the side pocket of her rucksack, and turned back to the window. It was partially open and a cool breeze rustled the bare skin of her neck, which felt deliciously naked without her long hair to cover it. April hadn’t brought many showers since it turned its first few leaves; in fact, the weather had been glorious. Outside the carriage window, the sky was a bright bright blue and the crumbling buildings that skirted the city gave way to fields which rolled over and over in verdant, romantic green. It took forty minutes before they were properly out of the city. Once the ticket inspector had checked her railcard, Amanda plugged in her headphones and listened to an old Cat Power album.

She had to change trains a few hours in. The whole process was far less stressful now that she had no fixed destination, no time constraints. Every hour was her own, and time itself did not matter. She sat on the cold station seats, trying to read a leaflet about a local whisky distillery that she had picked up by the ticket gates. People looked at her differently with her new hair. Girls glanced at her with lingering intrigue. Boys rarely noticed her, or else they had to do a double-take. Amanda wasn’t sure if these were good double-takes, or bad ones. She wasn’t even sure what the difference was.

As the station clock clicked to ten o’clock, Amanda checked her phone. Still no texts. And yet, why did she care? She had already told him it was over. 

She travelled up and down the whole of the UK. She spent a day in sunny Brighton, looking out to the limit points of this country she called home, at the sparkling lights at the end of the ocean. In the nightclub that evening, she found herself dancing to Eurotech, face gleaming with metallic makeup and sweat. A stranger slid his hand to the back of her neck and she let him kiss her amidst the flashing lights and thumping music. His mouth tasted chemical sweet. Outside, gasping for breath on the beach pebbles, she wondered whether this was something Marianne would do. Take things on impulse. Treat people like shadows, passing through your day, swelling, shrinking, disappearing. Somewhere in the darkness, the sea whispered its history of secrets. The city withheld its judgment.

Back up the country she travelled. She skirted round London, past the rolling hills of the South Downs; past Basingstoke, Luton, Milton Keynes. The changing accents haunted her with their shrill cacophony. She slept in a Travel Inn that night, washing her hair with the complimentary lemon shampoo that smelled good enough to eat. It was a very lonely motel: all the corridors were empty. Even the cleaners drifted along like ghosts, never looking up or smiling. She caught herself checking work emails on the WiFi and had to force herself to stop. She took a small vodka from the minibar.

What would Ruaridh say to all this?

Night after night, the meaningless names drifted through her mind. She had seen so many towns and cities now that she had lost her sense of what made each one distinct. England became unreal, this vast, impenetrable stretch of motorways, train tracks, telephone wires and suburbs. The crowds and the people and the buildings were different, but each time she felt the same. She did not feel real, floating aimlessly down street after street with no direction or purpose, nestling into the armchair of yet another Starbucks. Amanda told herself she was just exploring.

Sometimes she found herself wondering what Marianne had studied at uni, what she now did for a living. She imagined her, all cropped hair and smoky eyes, leaning over a desk at some sleek fashion magazine office. She pictured her in a court of law, sharp in a suit, scrawling notes. She saw her lifting weights at a gym after a hard day at the bank. She saw her serving tables at a classy restaurant, drinking martinis at some downtown bar. These were all possibilities. Marianne was made of possibilities.

On the train from Birmingham, disillusioned with cities and their grey array of indifferent buildings, Amanda managed to bump her way onto the first class carriage. This was something Marianne would do, sleek and easy like her hair. It was simple enough to turn tricks when you were less self-conscious. She brushed her fingers over the plush seats and nestled into her headrest. A skinny man dressed as a waiter came round with a trolley bar and every time he passed, Amanda ordered another Bloody Mary. She licked her lips as he stirred in the celery, the other passengers impatiently waiting.

Three drinks in and she kept dialling his number on her phone.

“Come on Ruaridh, pick up,” she hissed. People around her were staring. She was an odd sight on their carriage, with her little white belly poking out of her cut-out dress. She dialled again and again and of course he did not pick up. It was three months since they had last spoken, since she told him they could no longer be together; three months since the silence started, since she cut herself off from the world. And yet, a fortnight was all it took. Two weeks since her first outing as Marianne Holbrook.

“You never tell me what you want, how I can make things better for you.” Is that what he said to her, or did she say it to him? It hurt that now she could hardly remember; there was a time when she thought she had the words they exchanged engraved in her soul. Now it seemed, they slipped away, easy as the faces left melting on the platform as the train pulled out of the station…

She was in Leicester, Nottingham, Coventry. She found herself addicted to all the stations, their absolute sense of space devoid of place. In the stations, everyone could be anyone. She liked the dull parquet floors and the green painted railings and the matching uniforms, the logos and slogans, the slow and constant stream of announcements. People coming and going, bags and suitcases rolling along, teenagers moping around by the Burger Kings, waiting to be asked to move on. In so many ways, each station was the same. Aside from the stacks of leaflets advertising local attractions, it was easy to forget where you were. Each one was a kind of anywhere. Accents blended and clashed and Amanda felt like she was in some way everywhere in Britain at once: the stations were just another node in the network of cities, people and identities. The same chain stores brightened her view as she stepped off the train. She started buying the exact same things every time: the superfood salad from M&S, the Wrigley’s gum and magazines from WHSmith, the treat bag from Millie’s Cookies, the almond butter hand cream from The Body Shop that depleted so fast, what with the air conditioner on the trains drying out Amanda’s skin. It was so satisfying to follow a pattern.

“What’s your name?”

It was the day that somebody broke the pattern. She was hovering by the ticket gates at Preston station, clutching her railcard and hoping to catch the northbound train.

“Am-Marianne,” she found herself saying in reply. The stranger was an old man, laden with a heavy-looking rucksack.

“Ammarianne, it sounds Greek or something.” Amanda bit her lip.

“I’m Jim,” the man added. He wore an old tweed cap and had a vaguely Scottish accent. She did not know what to say, what he wanted from her. She thought about what Marianne would do, the possibilities that the interchange offered for experimenting.

“It’s actually Marianne,” she said.

“Hm?” he was checking the screens, squinting to see his train time.

“My name. Not Ammarianne.” She forced a smile.

“Where are you heading then?” He gestured towards the board of departures and arrivals.

“Well, somewhere up north I think,” she replied vaguely.

“Glad to hear it,” he said, “me too. I’m a fish out of water here. Scotland is a good place to go for the lonely.”

“Yes.” She hadn’t planned on heading that far north. Carlisle had been her limit point.

“Oh. Well,” he hauled his bag from the ground. “That’s my train. Better hurry.”

“Bye,” Amanda whispered, watching him stumble through the ticket gates. Just before disappearing around the corner of the platform, he turned and shouted out to her.

“So long, Marianne.” She could see that he was grinning and she did not understand the joke. What would come upon a person to make them approach a stranger like that, for no reason other than to say hello? It was so foreign to her, that kind of politeness, that pointless brand of interaction. Stepping on her own train, the thought of the man lingered in her mind. So easily he had broken the silent contract of anonymity which seemed to govern the stations. Was this something she could do too?

The thought of talking to strangers made Amanda feel powerful. She knew, then, that Marianne was the kind of girl who had no problem letting her guard down.

They had thrown her off the train where she sat in first class. She had drunk one too many Bloody Marys and was slurring nonsense at her fellow passengers, bits of celery still stuck in her teeth, tomato juice stinging her lips. It was difficult for her to recall now, but she had more than once broken the silent contract herself. She had not so subtlety propositioned a businessman, declared to everyone an undying love for her ex-boyfriend, blithely told a woman that she should eat less of those chocolate bars because they were making her fat.

“But don’t worry,” she had droned on, “look at the state of me too,” she pinched a roll of flesh that clung to the skin of her dress, “I’m gonna lay off the cookies too once I get off this ride, once all this stops…” She had promptly vomited all over the polished floor and the conductor had to clear it up while the train was still moving and his mop bucket sloshed and then at the next station he escorted her to the exit, while everyone eyed her with disdain. She threw up again on the platform and knew that night she could not stay at the station. The world had clocked her for who she truly was.

The thing was to keep moving. She got herself to Blackpool on the bus and won some money on the slots. There was such a pure satisfaction in the click and spin of the fruit symbols, turning and turning. The leap in her chest when they matched up: three bright sets of cherries. That night she watched the boats twinkle over the bay, the carnival music blaring wickedly from the Pleasure Beach. There were couples everywhere, locking lips as the blue lights shone down from the rides, as the waves slushed gently on the sand, as the breeze whistled in the cold dark air. Leaning over the pier, Amanda ate fish and chips drowned in vinegar, hoping to cure her hangover. Her phone bleeped with a message from her mother: Hope you’re OK honey. Guess who I bumped into in town today? xxxx

Amanda hardly wanted to know. It was probably an old school teacher, or some pal that Amanda hung out with in primary school.

Who? x The grease from the fish supper made thumb prints on her phone.

Ruaridh, of all people! and we thought he had gone away! 

Ruaridh?

I don’t know how long he’ll be here for. He was asking after you.

Not that he ever texted her back. Not that he ever really tried to touch base anymore. She flicked through her messages to him:

I’m sorry. Can we talk? 

Please can you answer the phone. I want to explain. 

I miss you. I’m faraway from home and I still miss you. 

Call me back. 

Please Ruaridh, call me back.

It had been so long since they had talked that he had started to appear to her only in the abstract, the name on her phone a source code that might unlock some pattern from the shards of memory resting useless in her brain.

And yet he had asked after her; he had spoken to her mother. Had he perhaps changed his number? Was his old phone lying, battery dead, at the bottom of the desk drawer where he kept his protein shakes, his condoms and badges and passport?

She thought of those texts, drifting on through the ether, directionless as she was. Town names and station signs blurred into one. Even the old-fashioned stations seemed the same, with their pretty red brickwork, their giant clocks and gleaming phone boxes. The whole journey she had been going nowhere, but all the while she longed for one destination. Was it him? Could it possibly just be him? The city she had lived in all these years seemed so distant. It felt impossible, the prospect of just going home. In the carriage with the tables, the ragged newspapers, the empty bottles and coffee cups, she was leaving her old life behind.

The train was so quiet. A little girl was licking crisp crumbs from her fingers, staring at Amanda across the table, eyes wide and oddly fearful.

What does she want, what does she want?

She was in Scotland now at last, passing by sparkling lochs and pine-covered mountains. She hadn’t planned on coming here. The train just kept going, rolling on slower and slower, and Amanda had lacked the energy to change her route at Carlisle. Scotland seemed like the end of the universe. It was easier to stay on the same train, easier to let the world direct her like this. This was the land of accents she could hardly understand. Silvery land of wilderness and silence. Everything enveloped in mist. Everything cold, mysterious, romantic. The train tracks wound dramatically round mountains, farmland, fields pregnant with the summer harvest. Sometimes the mist cleared and Amanda would glimpse patches of bright sky. In the past few weeks, the evenings had grown longer, so that now at half past eight the carriage was bathed in a soft yellow light. The grass that Amanda could see from the windows was a kind of supernatural green, so vivid it was difficult to look away. The fields stretched out into endless hills, lush with ferns and trees, fluffy white sheep and even the odd telephone line. Often they passed little cottages and farms, or villages speckled with lights that twinkled through chimney smoke. There were very few houses in the mountains; the train was disappearing into somewhere very remote. Surely by now they should be in Glasgow, or maybe Edinburgh? She couldn’t remember which one came first. All that surrounded her now were the mountains, snow-capped, rust-coloured, rocky, sometimes a deep and sinister green.

It struck Amanda that the mountains reminded her of her father, who used to take her up to the Lakes sometimes when she was young, forcing her to learn the maps even though the sight of all those squiggly lines and symbols made her dizzy, more disorientated than she was before. He made her traipse across acres of countryside, reciting his favourite segments from the guidebook, stretching out the hours with his constant narration. Reviving himself with cider at some farmer’s pub, where the locals would stare at them suspiciously as Amanda sipped her lemonade and the whole while her father never noticed. It was in the summertime, two years ago now, that he died.

Nobody talked about it. Amanda’s parents were halfway through a messy divorce when he discovered he had cancer. It had all happened so fast. The appointments, the vomiting, the weight loss – the transition into anonymity and sickness.

At rockbottom. Please call me, even just for a minute. 

She hated herself even as she typed the message. All I want is to hear your voice. The thought of all those pathetic unanswered texts piling up on his phone made her physically sick. The train churned on, its sluggish rhythm another source of her nausea. The only messages she’d been receiving were voicemails from work, telling her she’d missed deadlines, meetings; telling her they were disappointed, telling her not to bother coming back.

In the cracked glass mirror of the carriage toilet, her reflection looked strange somehow. There were new shadows etched under her eyes, greenish as some disease. Little flecks of red that veined the whiteness round her irises. She realised she hadn’t slept more than three hours a night for weeks.

She thought of her father, emaciated, pushing a supermarket trolley, his fingers gripping the bar so hard you could see the tendons round his knuckles. The smile he forced as she shoved bottles in the trolley was grotesque and strange: a Cheshire cat grin smeared upon those hollow cheeks. He was buying her vodka because she was going to a birthday party, because she was not yet eighteen – a clandestine mission concealed from her mother. She thought how he would appear then to a stranger, vodka rattling in the trolley, this gaunt figure swathed in scarf and overcoat, incongruous against the mildness of that May.

There were secrets in these hills, Amanda thought, that nobody knew. Such endless stretches of greenery, pure as the wool on a lamb’s back; stretches which no man had touched with his brick or chisel. In the hills, there was a sense of possibility; in the hills, you could be free.

This freedom was quite terrifying.

The train had slowed as it finally approached a new destination. Nervously, Amanda fingered the plastic coating of the railcard with Marianne’s face on it. She was tired of always playing a role. It drained you, the whole process of never revealing your true name, spinning webs of lies to perfect your anonymity. Brushing past strangers and missing out on meaningful conversation. Out of a picture she had fashioned an entire existence, but now this identity felt crude and shallow. She was tired of staring out of windows, tired of flirting with strangers. She found herself missing her mother, the 24-hour shop down the road, the memories that haunted her home in Bristol.

She disembarked from the train in some small town, the name of which she couldn’t even pronounce. Everything was tiny, shrunken somehow, like a toy sized version of reality. Standing outside the town’s single newsagent, Amanda checked her phone. There was no signal whatsoever. She walked round and round the village, but to no avail. She knew then that she had completely left civilisation behind.

This was probably the loneliest place she had ever visited. Her father had never taken her somewhere like this: his favourite destinations in the Lakes were the comparatively bustling towns of Ambleside and Windermere. Tourist hotspots with ferries and buses and trains. Here, all the pretty streets, with their flower baskets, their plant pots and cobbles, were empty. Only the humming bees provided company. It was, perhaps, a town that time had forgotten.

Amanda realised she was starving, that the pains in her stomach meant something. She came across a tiny shop which seemed to be the only amenity in the village. The sign in the window said: “No More Than Two Children At Any One Time”. She stepped inside and a bell tinkled. The woman behind the counter greeted her in a thick accent. It was not like the Scottish voices on the radio or telly. The shop was so small that Amanda had to duck her head the whole time as she looked around. There were only a handful of aisles, shelves half stocked with off-looking bread and chocolate bars and tin after tin after tin of beans. At the counter there were a few fresh rolls and some fruit. Amanda bought what she could and thanked the woman.

“What brings you to these parts?” she asked, noticing Amanda’s conspicuous Englishness, the Queen’s face on the £5 note she handed over.

“I don’t know,” Amanda admitted. “I guess I’m looking for something.”

“Well, you might find it here. Folk have found worse in this village.” She smiled wryly and the wrinkles of her face creased up like the sand folding in patterns left by the tide.

“Oh?” The woman handed Amanda her change but her lips remained shut tight. Outside the shop, the weather had changed ever so slightly. There was a faint breeze stirring in the surrounding trees. The village seemed to be in a valley, protected from the harsher elements. It was a miracle there was a train station at all here – probably it was some relic from the Victorian era. Maybe there was a coal mine here once, or maybe the roads were in such bad condition that even the buses couldn’t get out this far into the wilderness. Amanda had the vague sense that she was in the Highlands, but she couldn’t be sure. The air had a thick moisture to it, a soothing texture to every breath she took, to the smoke that rose from cottage chimneys, the clouds that curled round the snowy tops of mountains.

She wasn’t quite ready to eat yet, though she was very hungry. She wanted to explore every inch of the village first. There were a handful of tiny winding streets, windows in miniature, house after house with Gaelic names etched on the door. Wild cherry trees flowered with late blossom round a square, in the centre of which was a war monument. Amanda stood and read all the names of the deceased carefully. Everyone seemed to have the same names: John and William and James. She touched the thick grey stone and its coldness seemed to spread through her bones. All those people, whose minds and bodies were lost in the turmoil of something far larger than themselves. The memorial seemed the only thing, apart from the ancient railway line, that connected this place to the outside world.

Ruaridh was a soldier. His job was to fight in whatever war they sent him to, to follow commands with cold precision, to give himself up to the mechanisms of higher forces. He had been in Iraq when Amanda was still at school and Afghanistan when she took night classes in college, serving coffees in Starbucks during the day. This whole other life had washed over him, while she remained at home, slowly growing, mostly staying the same. He had seen things he could never explain to her.

I miss you. I’m far away from home and I still miss you. 

Perhaps his reticence was worse than hers. Perhaps he was the one who was truly unreachable, the one who could never match her in their silent exchanges beneath the sheets. She remembered the way he used to shake with nightmares, though denying them upon waking. It could’ve been his name, up there on a monument like this. Only no, because soldiers these days didn’t fight for glory, not like the old ways of valour and poetry and bravery. These days, even more they did not know what cause they were fighting for. They were just sent away, hardened with protein bars, coldly dished therapy and standardised training. She thought of the muscles in his neck, quivering as he spoke. Despite the strength of his body, it seemed all the time like it might snap, like the stem of a rose.

A photograph from the news: skinny, doe-eyed children, the reverberating dust of explosions, debris flying through a colourless sky. Soldiers in their khaki uniforms, praying for this world that they had not yet had time to properly love. For this world they might lose.

She remembered kissing him for the first time, in his mother’s living room, while they watched a black and white movie. The sound turned down, the whisper of their voices rustling the air. The walls would still contain those voices. Her fingers brushed the cold marble setting of the monument. Youth and innocence. Was that all that love was worth? And what about war?

Was loneliness the reward for all she had taken the guts to sever?

She thought of the scarring on his arms, the swellings of all those magenta welts which flowered outwards in jagged patterns, not unlike the etched textures of tree bark, both coarse and strangely smooth. The burns he had suffered were some price he had paid, his dues to the people he lived and fought for. Sometimes he would lie awake at night in pain while Amanda rubbed them with expensive oils and honey. She would watch his eyes close before the tears could leave them.

She turned away and the wind picked up and stirred the trees, shaking fistfuls of cherry blossoms from the branches, swirling them in the path with the shrivelled daffodils and the silver gravel. Some of the blossoms settled in Amanda’s hair. She walked away, past the church, following the tinkling sound of a river. She sat on its mossy bank and ate her apple, watching the midges rise above the water, spiralling in the gold light playing in the reflections of the pines in the river. Afterwards, her mouth felt sour as her soul. She wished she had cigarettes. She looked through her texts.

At rockbottom. 

At rockbottom. 

At rockbottom.

Three times she had sent it. Three times, and no reply.

She pictured herself, tied to the stir of the riverbed, pulled along by an unseen current. She would let it drag her where it willed, battering her on the sharp stones.

Somethings you just have to let go. Her father, whose ashes they scattered from Friar’s Crag, looking out upon a brilliant body of water, the light in the sky the colour of indigo as she watched her mother tearfully smile her final goodbye. The wind in the pines, the light on the lake.

Somewhere, Ruaridh would have stood among dust and chaos, a gun in his belt and his heart encased in a golden cage. In sparse Internet cafes, he would have written all those emails to her, sent her pictures of the crumbled houses and the desert. From this lush valley of greenery and quiet, it seemed another planet. She realised, then, that she was so many people. She wasn’t just the Amanda that maybe he had loved and grieved over and then ignored. She was the girl who would always mourn her father, who would long for summer afternoons in the Lakes; for the taste of ice lollies, for the breeze on her face. She was the lonely employee, biding her hours in her stuffy office. She was all these Amandas. But she was also Marianne: this monster who had burgeoned from a picture, larger than life, a figure of surface and depth, past her expiry date, readymade to inhabit. She had built this person from nothing but a picture, its plastic gloss the surface foundations. She knew, then, that she had the power to put herself back together.

I want to explain. 

The midges danced on the water. The clouds moved overhead, the gloaming settled its purple shadows around the pines.

She no longer needed him to remember. Probably he was broken too, broken beyond her control. He would be back for awhile, but the call to leave would always drag him along again. War was, in a way, another kind of travelling. She did not crave the same excitement, the same desperate thrills of horror and danger that lay in the army; but still it was the impulse for movement that drove them both. She saw that now. They were both trying to escape the same lonely feeling, the hollowness that gnawed out from the bones that once held them up, that once fused their connection to the land and earth. To each other.

She caught the last train out of the village, finishing the last of her picnic. She watched the river’s silent starlit glitter stretch along the valleys, turning round the hillsides. She waited for her phone to regain its signal. She knew when it did, she would text her mother back at last: Tell him I’m fine. 

And then she would delete his number from her phone.

And later, when she fell into sleep, she finally realised what the old man at Preston station had meant when he bade her goodbye. What it was he was quoting. The rich deep baritone of Leonard Cohen drifted into her mind and she remembered, she remembered. A song her father used to play on Sunday afternoons, smoking illicit cigarettes from the bedroom window while her mother was out getting the shopping.

I’m standing on a ledge and your fine spider web
is fastening my ankle to a stone. 

And the chorus came to her, easily as sleep did, easy as the loneliness that now she embraced, languid and happy; as easy as the slow tug of the train that would take her who knows where, that would link this life and this self to the next one and bring her always some fresh memory that was better than home:

Now so long, Marianne, it’s time that we began…